dead technology

TESTING

Posted on Updated on

23022931_10214849322326172_1187975691_o.jpg

Item list:

2x Kumi projectors: each playing a set of code on loop. The projection onto the 3D printed artefact is a code from one of the components that is then sent to a printer to be turned into the physical. The second projection then comes through from behind onto a tv with a iPhone glued to the screen. The projection is an apple update that was the last update I downloaded onto it that eventually caused it to run slowly and eventually not turn on. This was the last apple update i performed before switching to android.

The tv at the back right + strobe: strobe sits in the bottom right corner to showcase static unresponsiveness. That was the last TV I had that was affected by the switch to digital TV channels and could no longer run off the analogue channel providers. This was made unusable through digital upgrades.

Miscellaneous Tech: scattered at the back…ownership of each of the items have been replaced by another due to software or digital upgrades.

 

 

 

 

 

Advertisements

POSTGRADUATE > Trickle Down Theory> No Classes

Posted on

Some of the best ways I’ve developed a really solid idea into practise is to actually keep telling new people my departure points of thinking and judge their reactions and feedback to better understand my own project.

When doing this, I’m also reminding myself and being able to talk about it more confidently which I’m sure only helps when finding that niche goal, furthermore to this, I don’t mind personally if this takes the longest.

SO what is it I want to achieve in a physical space. I want to explore, simply, what it is that makes old or broken devices from the past, so interesting, popular or valuable. Take for example the vinyl. Why is this technology that a few years ago wasn’t supported by any means of production for their players and had been superseded, however now is one of the most popular trends of the last two years. Record players, vinyls and even the aesthetic of the cardboard it comes packaged in is now all more expensive than CDs, tapes or even MP3 downloads online. Why?

My own passion for keeping every piece of technology I’ve owned** and when it finally stops working, keeping a log of the reason and the date. I don’t know what it is but it’s satisfying and allows me to make the decision on my next model. I think this works into my own personal device that gives me great joy and the emotion i’m trying to unlock in this project, is the camcorder.

I was researching the idea of “trends”, and the culture associated with it. No doubt manufactures and musicians have caught onto it and started marketing Vinyls as a consumer product, even now we see releasing brand new records in stores like JB HI FI, that claim to be technology giants in retail. I stumbled across the idea of “Trickle down Theory” … thus:

Trickle Down

The oldest theory of distribution is the trickle-down theory described by Veblen in 1899. To function, this trickle-down movement depends upon a hierarchical society and a striving for upward mobility among the various social strata. In this model, a style is first offered and adopted by people at the top strata of society and gradually becomes accepted by those lower in the strata (Veblen; Simmel; Laver). This distribution model assumes a social hierarchy in which people seek to identify with the affluent and those at the top seek both distinction and, eventually, distance from those socially below them. Fashion is considered a vehicle of conspicuous consumption and upward mobility for those seeking to copy styles of dress. Once the fashion is adopted by those below, the affluent reject that look for another.

This is a term thrown around not only fashion, but also economics, in the way  a model of product adoption in marketing that affects many consumer goods and services. It states that fashion flows vertically from the upper classes to the lower classes within society, each social class influenced by a higher social class.

SO can we apply this trickle down theory towards technology to actively predict future trends, appliances or services? I mean if we take my post last week and focus on the Everything’s a Remix section, we can almost guarantee the next wave of potential huge ideas, big inventions and popular device will be taken and built from something popularised and forgotten. In this line of argument, therefore, I’d say yes, we can apply the trickle down theory towards technology.

Of course trickle UP theory, that is the example that red lobster used to be served as a prison food and is now an expensive luxury. Interesting connections to these things

Screen Shot 2017-09-11 at 1.13.32 pm

Screen Shot 2017-09-11 at 4.29.49 pm.png One friends account of something thats important to him, and my association on how it’s becoming a fad. They’re plenty of examples.

Another is the stack-hat

 

**excluding a house fire when I was about 10 years old that destroyed everything til that point.

A r T and Craftsmanship: week 6

Posted on

mac copy
Macintosh.
Screen Shot 2017-08-29 at 12.29.13 pm
LED LIGHTING RBG Strip

Screen Shot 2017-08-29 at 1.00.57 pm

Could a current technology showcase a dead technology? Can we give the illusion or magic feeling combined with a dead technology and lights that presents it as alive.

Screen Shot 2017-08-29 at 12.47.38 pm

 

What is about the revisiting of old technologies? Is it that its:

  • nostalgia ? Simple human reflection?
  • Is it trends? Will the idea of grasping onto old materials come and go?
  • Human development/ progression/dependance on devices
  • Reverse magical? What is that feeling we have when we see something from our childhood in fully functioning condition. Is this the same feeling as when we see magic performed live? I want to investigate this feeling of connection and disbelief that something “works”. 

Questions:

  • in order to think about the “future” and more specifically technological determinism, do we have to understand and credit the past ideologies of progression.
  • We have to acknowledge human interaction and relationships with devices to create helpful trajectories in the future.
  • How do I create a setting with dead technology?

 

Human – technological being – always been apart of evolution

These are some more points of return that look at the way we have used certain technologies or aesthetics once before and are revisiting them more and more. I think for the week returning to class, I’d love to gather all the devices currently in my possession and assemble them around a space. I’ve also got some of the neon wiring that i was to ultimately weave in and around the devices, so that they give the illusion that they’re full of life. Using perhaps a new technology in LED lights and wires, into the old technology giving them a resurgence.

  • utopian – when we think back to that era, we had no worries/ no responsibility / fantasy
  • synth music

A REMIXERS MANIFESTO: RIP

Some of these examples I want to reflect on within the technological sense of futures. It works nicely with this idea of a loop of attention to certain devices from the past influencing the work of the future. This foregrounds that some of the research we see in trying to create a brand new product or the next gadget or device to change our lives, really needs to take notes from the past, and the human relationship with the particular job its going to create, help or save.

This idea links very closely with some further readings i’ve looked in theoretically, but when comparing all things media, music, art, movies and of course technology.